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Catherine riding sidecar with…
2008, Briary Bottom, WV
Catherine riding sidecar with Tommy Turnbull for an all-time baller wedding entrance on 06-07-08
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I'm listening to a pertinent episode on NPR's Hidden Brain about grief and resilience by a researcher who lost a daughter. It confirms that the old Kubler-Ross 5 stages of grief has been suplanted by subsequent research and that grief oscilates and there are strategies that can help individuals better deal with a loss. https://hiddenbrain.org/podcast/life-after-loss/
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$51,350.00
total raised

Dear Van, Rye and Olive,

I was traveling and only a few days ago found out that Catherine has passed. What a shock. I still can’t believe it. She and I worked together at the Walters and we also were involved with a political campaign. During this time we got to know each other well and for a while became close friends. Now I am very sorry to have fallen out of touch. 

Catherine was a wonderful person, witty, smart, warm and you must miss her so much. I am very sorry for your loss. Time won’t bring her back but perhaps it will ease your pain. While in Kathmandu I lit a butter candle for Catherine at the Kamaladi Ganesh Temple. It was during Tihar, the Festival of Lights, and a celebration of life.

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A couple years ago I asked Ca…
2021
A couple years ago I asked Catherine to send me a recent pic of her and Van for my fridge, and this is what she sent.
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Ann Wilson
Baltimore - Catherine at the Walters

I am a “pre-Van” friend and former boss of Catherine’s. My husband, Evan, and I moved from Baltimore to Austin in 2004, and we flew back for the wedding. Van, I met you just that once, on your wedding day.

Wonderful memories flooded back as I streamed the celebration of her life last Saturday.

From 1997-2004, I was director of marketing and communications at the Walters Art Museum. I had gotten to know Catherine in her role as arts editor of Baltimore Magazine.

In 1999, the public relations spot at the Walters came open. As I started recruiting, I heard that Catherine might be thinking of leaving the magazine. One of my greatest skills as a manager has always been poaching the best people. In a burst of inspiration, I gave Catherine a call. Would she be interested in coming to the Walters?

Not unlike Van’s, my reputation skyrocketed the happy day I was able to report to my arts marketing colleagues from the symphony, ballet, opera and other museums that I had just hired Catherine Pierre to be the new manager of public relations for the Walters. They sounded excited for me: “Wow…that is a real coup.” “What a great hire!” But I know that secretly they were thinking “Damn! Why didn’t I think of that?”

There’s more to running PR for an art museum than promoting the latest Monet exhibition. During the years Catherine and I worked together, we executed a re-branding to reflect the institution’s name change from Walters Art Gallery to Walters Art Museum. (Changing a museum's name is slightly less complicated than passing a constitutional amendment, but not much.) Along with this came a new web site and a new Walters Magazine. In these all projects Catherine’s famous attention to detail was invaluable.

Catherine had a chance to manage a substantial national story in 2003, when our distinguished boss, Gary Vikan, resigned from the White House Cultural Property Advisory Committee. He and other members were protesting the U.S. government’s failure to protect the priceless treasures looted from Baghdad's National Museum of Antiquities during the chaos of the invasion of Iraq. Suddenly Catherine was fielding calls from the likes of Anderson Cooper, running over to Gary’s office daily to consult on managing the story. The West Wing was at its peak then, and I started saying “Heading over to the Oval again, C.J.?” every time she received another call from the national media.

Her eye for great talent was evident as she staffed up her department with colleagues who embraced our shared values of being smart, creative, and funny. Her academic background came in handy with curators, who tend to be suspicious of marketing and communications people. Some curators accuse you (well, accused me, anyway) of trying to “dumb down” the museum by suggesting more accessible language in a piece they’ve written. With her serious academic creds, Catherine knew how to speak curator-ese. She would say things like “Well, I think we need to unpack this concept for the lay reader.” The curator, flattered that his concept was a trifle too brilliant for the poor lay reader, would happily acquiesce to being “unpacked.”

I was so sad the day of the Catherine's memorial celebration. Hearing the many stories about “post-Van” Catherine, I realize the incredible friend I knew and loved became an even more remarkable woman, and I was sorry I had not done a better job of staying in touch.

Driving after dark that evening, I was still musing about the Catherine stories I’d heard when I had to slam on my car brakes to avoid hitting one of the urban deer that wander around northwest Austin. It was a really close call; the deer was standing right on the lane divider and if she had moved at all, I would have hit her. But she stood still. I remembered that Catherine loved finding hearts in nature, and here was a great big hart standing next to my car. This made me laugh – “Thanks, Catherine!” – and I felt better.

She touched our hearts, for sure.  

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During the COVID pandemic, Catherine was Demeter in "The Greek Talk Show," a production that was borne of Rye's infatuation with Greek mythology at the time. Catherine and Olive (Persephone) are at the 4:00 mark. I may be wrong, but the entire 17-minute clip has merit, and it shows how we managed to stay vital during lockdown while co-quarantining with our neighbors and close friends, the Habelas.  
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Catherine and Rye at Rye's birthday party this past August - life of the party!
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I worked closely with Catherine for years and witnessed up close how thoughtful, kind and resilient she was. One of the last times I saw her was cheering on the City College's girl soccer team, with her daughter and mine in the stands as freshmen. I thought to myself, "what a good life we're living," with us having gone from tired parents chasing little ones to watching them old enough to hang out at high school. Catherine was taken too soon from us and, more importantly, her family, but we'll never forget her warmth, humor, and smarts – and how unflinchingly she wielded the pen as a writer and editor. May her memory be a blessing.
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Catherine is a wise and wonderful soul who walked this earth radiating kindness and empathy.  She was beautiful inside and out.  Her love for and support of her family was deep, joyful and open, a sustaining feature of her life that I believe is still accessible, available as needed in times of sorrow and frustration, joy and laughter.  Her curiosity about life was boundless and shared with relish.  Her play was inclusive and filled with delight; like her husband, she savored a good story (and a good wine).   Her warmth and caring for her fellow humans was genuine and guided daily choices.   For me, Catherine epitomized the Biblical injunction to tell the truth with love, a challenging skill to hone.  

Catherine is a huge gift to our family, and I am eternally grateful for her too short presence.   She is deeply missed; her death is beyond comprehension, infuriating and baffling.  Yet the love she generously spread around with kindness and clarity, with tenderness and conviction, is being returned tenfold to Van and Rye and Olive.  Catherine will continue to sustain them and us by her expansive example.  Her wise and wonderful soul continues to walk with us.

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Martha S. Jones is a remarkably impactful history professor, focusing on culture and the law and how Black people have shaped our nation. She directs the Hard Histories project, a vital template for being open to unearth and receive the unexamined or erased stories of institutions and families. I am so honored that she remembers Catherine on her Substack. Link below:

https://hardhistoriesjhu.subs…

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