From Bill's Eyes.
One quiet evening, Bill told me about the time he left home for college, he drove to the Chicago Art Institute and was excited and eager to learn. It didn't take long for him to draw many photo majors to his magnetic persona towards his fresh and unique vision.
A gifted artist, Bill liked the old well-polished glass of the Leica's and Nikons, as educated photographers learn with time. He could break a hue in many tones by simply looking at it. His gravity to detail reflected on everything he saw and what he transformed with his hands.
One afternoon, he saw me shooting trees with black-and white film at my daughter's backyard. He said,
"Walter, have you tried the 25 red filter to increase the contrast of the leaves?"
I had worked with infrared radiation in tissues while working at the hospital, but not as a biological photographer.
The next time I met him, he handed me his old Leica with a 25 red, and said, "try this." —without any instructions.
That Summer, as I was preparing for a print exhibit, I packed film cameras (including his gear) with me for a two-week trip to nature. Every time, I saw a stunning scene, I tried to learn more about the fine contrast between the sky, the waters, tree trunks, woody plants, green leaves and its parts. I couldn't wait to get back to the darkroom and process the film, and meet the unexpected, which was a journey to the unknown.
I'll miss you Professor.