In Memoriam
Martha Chaiklin
1960–2026
Historian of Japan and Material Culture
Martha Chaiklin embodied career diversity. As a curator, professor, editor, author, and election worker, Martha brought big energy, analytical brilliance, and a hearty laugh to all her undertakings. She wrote across national, regional, linguistic, and temporal boundaries before the global turn. She was a citizen of the world, living and working in the United States, Asia, Europe, and the Middle East. She was at the forefront of material culture studies with her innovative, varied research on objects from shoes to mermaids. But most central to her professional identity and prolific publications, Martha was a meticulous archival researcher with methods, memory, and an eye for detail that focused her writing on empirical insights and connections.
Martha trained as a scholar of early modern Japan with a focus on interactions with the Dutch East India Company in the Tokugawa era. Born and raised in Columbia, Maryland, she earned a BA from Washington University in St. Louis and an MA from the University of Michigan before moving to Japan where she worked in advertising and earned a second master’s degree from Seijo University. She subsequently moved with two young children to undertake a PhD at Leiden University in the Netherlands. While there she worked with the journal Itinerario, initiating her lifelong dedication to book reviewing.
After her first book, Cultural Commerce and Dutch Commercial Culture: The Influence of European Material Culture on Japan, 1700–1850 (Leiden Univ., 2003), Martha and her sons returned to the United States, where she worked as the East Asian curator at the Milwaukee Public Museum and taught at several universities, including the University of Alabama and University of Pittsburgh. At MPM her expertise in material culture became even more tangible. She once noted that although she’d studied the significant differences between Japanese and European armor, she didn’t really know what that meant until she had to move hefty Samurai dō and the even more unwieldy metal plate and chain mail of a German knight. This curiosity for how things felt, how people used them, and why they mattered in specific human contexts animated Martha’s work.
Martha’s abiding interest in people and the things they made propelled her research; she went where the archives took her, fearless about going to new cities, countries, repositories, or topics. She often reported on recent correspondence with a librarian or archivist who’d helped her track down a detailed reference to local ivory carving. Her interests ranged from netsuke (miniature sculptures) to live peacocks, from merchants to prostitutes. “Trade is trade,” she commented wryly. She lit up equally talking about the technical specifications of early modern glass blowing compared to modern sheet glass or the cultural meaning of elephants in East Africa and Sri Lanka. She spent years tracking ivory hunters, caravans, merchants, artisans, and consumers for Ivory and the Aesthetics of Modernity in Meiji Japan (Palgrave Macmillan, 2014). She ranged across the Indian Ocean world for information and inspiration to tell a story about supposedly insular Japan.
Martha also loved shoes. She was delighted to contribute a chapter on Japanese footwear to a volume blurbed by Manolo Blahnik, who said, “This volume helps transform the shoe from a mundane object of everyday use into something of great social and psychological power.” His observation captures Martha’s approach to history, crafting narrative and analytical power from objects and their past uses.
In addition to her monographs, Martha translated C.T. Assendelft de Coningh’s Dutch memoir, A Pioneer in Yokohama: A Dutchman’s Adventures in the New Treaty Port (Hackett, 2012); edited Shashi: The Journal of Japanese Business and Company History and the volume Mediated by Gifts: Politics and Society in Japan, 1350–1850 (Brill, 2016); and co-edited Asian Material Culture (Amsterdam Univ. Press, 2009) and Animal Trade Histories in the Indian Ocean World (Palgrave Macmillan, 2020). She accomplished all of this as a single mother and most of it as an independent scholar. As her many collaborators and colleagues will attest, she did a lot of this work while multitasking, moving through the world with love and sardonic wit. She is survived by her sons Samuel and David Suzuki, her mother Sharon Chaiklin, and siblings Seth and Nina. They are not alone in feeling the loss of Martha’s passing.
Laura J. Mitchell
University of California, Irvine
Kerry Ward
Rice University