Martha always spoke softly, choosing her words with care, and treated me with great gentleness.
Although she possessed remarkable Japanese language skills, deep knowledge of Japan, and thoughtful insight as a historian, she never once showed them off. Instead, she approached her research at the museum calmly and steadily, always working at her own quiet, deliberate pace.
Even to someone like me, who has not formally studied art history or museum studies, she showed no distinction or hierarchy. She would often ask me questions, and the time we spent together puzzling over the meanings and readings of kanji was truly joyful and deeply precious to me.
When she learned that I practice tea ceremony, she gave me a kimono from her own collection. I never imagined that the kimono I received from her just a few months ago would one day feel like a keepsake—almost a parting gift.
Martha consistently produced research of the highest quality. Beginning with what became her final project, the Cowles Collection research with Dr. Frank Feltens, and going back to her work on the Shirley Z. Johnson Collection with Dr. Sol Jung, her contributions to the National Museum of Asian Art were immeasurable. She was deeply trusted and respected by everyone.
In fact, we were in the process of arranging for her to continue her research work at the museum beyond 2026, which makes the news of her passing all the more sudden, heartbreaking, and difficult to accept.
Knowing that on Thursdays I would see Martha at the museum—walking together to get coffee while speaking in Japanese about Japan—was a small joy in my life. That joy has suddenly vanished.
I will never forget her quiet kindness.