Fun is not exactly the word I would use to describe playing music with John. He was a very intense drummer and always bang on time. He would underpin the movements and stops in the music and things like the movement out of the "rubato" section of a song, he always seemed to anticipate in a way that would give them a sense of inevitability. When John died I mulled over what to tell my brother, Tim who played guitar with us, about his death. Unfortunately he too died a couple of months later.
These two were the heart of our band, Off the Wall.
Aside from the kind of intuitive communication that takes place in music, John and I also shared a fascination with James Joyce. I have a distinct memory of a conversation I had with him when he walked in and found me poring over Ulysses on the dining room table. I told him I had tried to read it once before and was determined to get through it whether I could follow it all or not. He was interested in my determination and I like to think that it gave him the courage to read that very challenging book.
Just for fun, here is a poem I wrote after John invited me to see Roland Kirk at the UofM Armory:
Rahsaan Roland Kirk
Brown bear lumbers on stage: flutes, reeds,
horns hung round, slung round
swung round his neck.
Cool jazzmen jam with piano-jump, drum roll, bass-
fiddle bomp, tambour shakin, jukin the night.
Tonal vibrations blown through soprano and tenor,
both through one puffed mouth
jounce the hall—
Sweet horns blast a sound from brass into finger-
stopped cool um-uh-ummusic.
Tightnin rhythms work with plunkt high rills
over flute laid riffs
(Baby please let me climb up in your tree, Harmonia)
hummed in gentle melody, resonance
rolls on. Blues progress: one-man band troubadour
leavin town and tee-na-na on a blue laid bass of a
mojo history written in blue-blackness, blue indigo
blue of a midnight train
blowin full-tilt aborigine cheeks on a drone
swelled and blown long note bashin high hat
and gong crash din screams takes you up to the crescendo
of a razor flash— shakes through high-up
sweat-it-out, getting clean as a bell
ringing sound blown till flush flow just
tells through the clear story of a horn
like you never been born
of a whole life blown in the bag of a mind
into one blew note —
No sunshine,
no stars up in the sky,
no moon, no universe
just blacknuss.
CB 1971