Dear Dana,
To you, and to all in your family, I send my deepest condolences at the passing of your mom - my cherished friend and dance colleague.
I am heartbroken at this news.
Your mom and I had a friendship that extended over sixty-years.
It all began in West Haven, Connecticut when your mom was teaching at Constance Guetten's studio, and, when the studio was used as training space for the newly established Ballet Society of Connecticut founded in 1963 by Beverly Williamson.
I remember, as if it were yesterday, walking into your mom’s dressing room as she was preparing to teach a ballet class to area students who had been accepted into BSC.
All she was doing was putting on her ballet slippers.
But I have never forgotten the image -there was an elegance about her, a delicacy, a simplicity, a kindness, an image that was her person, one that she carried with her for her entire life. We became fast friends. Together, with Emy De Pradines, we formed the Dance Committee of the newly found Arts Council of Greater New Haven (1964), writing a proposal that entailed bringing dance into Connecticut public schools, as well as professional companies into New Haven.
We shared an appreciation for classical ballet technique as an “inside-out” experience, a belief that carried over into our conversations regarding her textbook, ‘Ballet Basics.’ A special memory was when I visited Santa Rosa and your mom was preparing a talk on Degas and the Ballet. Armand and I were her audience as she proposed her thesis. It was an extraordinary moment of shared experiences as Armand, an acclaimed composer and professor emeritus of music, saw Degas through Degas’s connection to music, and I, the dancer, saw Degas through his connection to dance - (coincidentally, at the time, I was painting Degas’s dance images in soft pastel.)
When my husband, Gaston, and I visited Dillon Beach, your mom did what many could not -she engaged with Gaston as if he were a normal person, his flailing and falling from Parkinson’s never affecting her for one moment, her graciousness toward him was a blessing.
Through the years we never ceased our correspondence, whether it was discussing Ratmansky's reconstruction of the ballet classics using Stepanov’s 19th century notation,
Feuillet’s 18th century notation of Baroque dance, or simply (but not so simple), how to really do a proper plié.
I shall miss my friend.
I am enclosing a photo from a visit that your mom and Armand made to my place in L.A.
I will cherish it always.
With love,
Barbara