Posting for Jerry Van
How I Met Michael:
It all started at the store on Paloma. But to understand that I need to say a few words about the beginning of the Venice Fruit Tramps.
We began by driving a Model A Ford through the Los Angeles Produce Market to get our first load of fruit. We set up shop on Ocean Front Walk, where we did not have to stop cars to make a sale—just rolled up with our Model T truck full of fresh fruit and a few vegetables.
We ended up at the Thorton parking lot, living at Thorton Towers, and selling there from March to October of 1974. We shut down when fruit season ended—and grapes were off-limits due to the UFW boycott.
I was working with the Beach House Properties at the time and still had access to the market truck. One day, after a drug bust in front of the storefront where we had originally started, I went around to the service entrance once the police had cleared. I thought. I opened the back door—and stared straight into the barrel of a shotgun.
“I’m the Fruit Man,” I said. The cop replied, “You’re not done. I’ll be back.”
I walked down the Ocean Front to Old Man Frank’s place and sat on the courtyard steps with Joe. I told him I cleaned out the video studio once the cops cleared out. One of the old ladies came by and gave me hell for closing the truck. “She left,” I said to Joe. “I could take that storefront—but I don’t want to run a store inside” Joe said he was game. I told him to find someone who could drive the truck and work the market. I would front the first load.
That is how I met Michael.
He was the perfect guy—knew how to spot ideal produce and make good on the deals I had built up from working the market since 1964, when I was just sixteen. Michael and Joe carried forward the goodwill we had earned in Venice, especially with the old ladies from the Cadillac Hotel.
I worked with Michael for about two weeks before I left town with my “me too” girlfriend, who had started hanging around the truck—the safest place in Venice for a woman. We traveled to Florida (her home), then visited a veteran friend in D.C. and New York. I eventually came back to haul fruit and live out my Fruit Tramp dream.
Joe had left the store, and I thought Michael was doing fine. When I returned, I found him at One Life in Ocean Park, Santa Monica. By then, Jerry Marshak (now going by Jerome) had taken over the store. We brought the truck back in 1979, but by then the public mood had shifted. People were not happy with the Fruit Tramps anymore.
We still used the same ideal melon logo, but now it read Fruit Tramp Express. At the top of the sign: “It Is the Real Thing – Produce of the Americas.” Folks would ask, “What’s the Fruit Tramp Express?” I would reply, “Anything you want.”
On November 21, 1974, the L.A. Times ran a piece titled “Commerce Venice Style: Priceless Fruit” by Sweet William—Bill. I still keep copies at the Veterans for Peace booth every Sunday on the Venice Boardwalk at Paloma. Michael also wrote about the Fruit Tramps in The Free Venice Beachhead, and I have that article in plastic at the booth too.
Suzanne Thompson called me—exactly 50 years later—to talk about making a documentary about the Venice Fruit Tramps. That same day. It felt like a full-circle moment.
Bill’s editorial, the two pages in his book Venice of America, and the fictional piece about Jerry (Jerome) and me in the August 1979 issue of The Free Venice Beachhead, “Impersonating a Cultural Hero.”
1974 was also the year the TV cameras arrived at the nude beach—forever changing the Ocean Front Walk. There is even an art tile on one of the Ocean Front Walk and Park Avenue benches showing an LAPD officer walking the beach crowds—Butts Up—taken straight from Bill’s book.
From the start, I knew we were on stage—alone.
The song “We’ve Been Asking Questions,” written by John Phillips and sung by Scott McKenzie in 2005, captured that feeling. It was the only track on the DVD that was not from PBS’s The 60s. And John Fogerty’s song, “Déjà vu, all over again”—fit too. No money, but still full of peace, love, and understanding.
In peace, love, and understanding,
Jerry Vann
A Venice Fruit Man
PS: The Army marched on Trump’s birthday to John Fogerty’s Fortunate Son. Go figure. Bookends, Phillip’s “San Francisco” (a flower-power counterculture anthem) to Fogerty’s Déjà Vu (All Over Again) and Fortunate Son — you have a musical arc spanning decades of protest and political commentary. Those songs frame a timeline of American dissent; each tied to a moment of questioning authority.