A tribute to Dan relating to his importance in dealing with OSB board policy issues:
In 2009, having just been elected to the position of OSB board vice president several weeks earlier, the president resigned leaving those of us still serving to deal with a world premier opera being written by Stepen Schwartz, the world-famous composer of Wicked among many other theatrical productions, in just a matter of months.
I found the organization grossly over-extended both financially and artistically, and completely dominated by the demands of a coming production that was to be initially produced by our little company. Then our production was to be put on by the New York City Opera Company, virtuallyIntact, in their Lincoln Center home. Luckily, a staff member of OSB, a true opera professional, Joan Rutkowski, agreed to work with me and our staff on the production side, and Dan, our one practicing attorney, was forced to carry thelegal/business side.
By hook or crook, we managed to complete our end of the venture, and put on a first-rate production here in our beautiful home, the Granada Theater. Essentially the same production was restaged in New York’s Lincoln Center in 2011.
The opera ultimately failed to repeat except in a fully rewritten version, primarily because of a poor artistic decision made by the composer over my and others objections; but our little company shared in the aura associated with having mounted a first production by a well-known writer/composer.
Dan was the one person who made the most of the business/legal side of the venture, including arrangements for construction of an amazing set that we built with the prospect of future rentals, along with the costumes, etc.
I confess that as an opera lover and an investor, I would have been completely in over my head without our standing opera staff and without Joan and Dan to carry the day. If Opera Santa Barbara exists today, and it is definitely there and in even greater glory, it is the work of these dedicated people who could pick up the ball and create the vision of a total operating company down to the last note sung and dollar collected. They deserve to be heralded.
Dan, of course, can be credited for much, much more over the many years he was with OSB, but the ability to save the day under pressing circumstances was best demonstrated by him when we were under the threat of total disaster and in league with a much larger and better-known company.
That the New York City Opera Company (recall Beverly Sills) is now gone, but OSB still is producing the highest integrity productions in our small but vital town, we must still be doing something right.
Credit goes to the real professionals.
Duncan A.Mellichamp